JК
Bag of Bones :: Кинг Стивен
Страница: 219 из 425”
Mattie looked startled—and, I thought, a little worried. As it turned out, she was right to be worried. In a voice that was low-pitched yet still designed to carry at least as far as the desk, she asked if she could reshelve either book for me. I gave her both. As she picked them up she said in what was almost a con’s whisper: “That lawyer who represented you last Friday got John a private detective. He says they may have found something interesting about the guardian ad/item.”
I walked over to the of M^NE INTEST shelves with her, hoping I wasn’t getting her in trouble, and asked if she knew what the something interesting might be. She shook her head, gave me a professional little librarian’s smile, and I went away.
On the ride back to the house, I tried to think about what I’d read, but there wasn’t much. Osteen was a bad writer who had taken bad pictures, and while his stories were colorful, they were also pretty thin on the ground. He mentioned Sara and the Red-Tops, all right, but he referred to them as a “Dixie-Land octet,” and even I knew that wasn’t right. The Red-Tops might have played some Dixieland, but they had primarily been a blues group (Friday and Saturday nights) and a gospel group (Sunday mornings). Osteen’s two-page summary of the Red-Tops’ stay on the TR made it clear that he had heard no one else’s covers of Sara’s tunes.
He confirmed that a child had died of blood-poisoning caused by a traphold wound, a story which sounded like Brenda Meserve’s… but why wouldn’t it? Osteen had likely heard it from Mrs. M.’s father or grandfather. He also said that the boy was Son Tidwell’s only child, and that the guitar-player’s real name was Reginald. The Tidwells had supposedly drifted north from the whorehouse district of New Orleans—the fabled crib-and-club streets which had been known around the turn of the century as Storyville.
There was no mention of Sara and the Red-Tops in the more formal history of Castle County, and no mention of Kenny Auster’s drownded little brother in either book. Not long before Mattie came over to speak to me, I’d had a wild idea: that Son Tidwell and Sara Tidwell were man and wife, and that the little boy (not named by Osteen) had been their son.
I found the picture Lindy had mentioned and studied it closely. It showed at least a dozen black people standing in a stiff group in front of what looked like a cattle exhibition. There was an old-fashioned Ferris wheel in the background.
Mattie looked startled—and, I thought, a little worried. As it turned out, she was right to be worried. In a voice that was low-pitched yet still designed to carry at least as far as the desk, she asked if she could reshelve either book for me. I gave her both. As she picked them up she said in what was almost a con’s whisper: “That lawyer who represented you last Friday got John a private detective. He says they may have found something interesting about the guardian ad/item.”
I walked over to the of M^NE INTEST shelves with her, hoping I wasn’t getting her in trouble, and asked if she knew what the something interesting might be. She shook her head, gave me a professional little librarian’s smile, and I went away.
On the ride back to the house, I tried to think about what I’d read, but there wasn’t much. Osteen was a bad writer who had taken bad pictures, and while his stories were colorful, they were also pretty thin on the ground. He mentioned Sara and the Red-Tops, all right, but he referred to them as a “Dixie-Land octet,” and even I knew that wasn’t right. The Red-Tops might have played some Dixieland, but they had primarily been a blues group (Friday and Saturday nights) and a gospel group (Sunday mornings). Osteen’s two-page summary of the Red-Tops’ stay on the TR made it clear that he had heard no one else’s covers of Sara’s tunes.
He confirmed that a child had died of blood-poisoning caused by a traphold wound, a story which sounded like Brenda Meserve’s… but why wouldn’t it? Osteen had likely heard it from Mrs. M.’s father or grandfather. He also said that the boy was Son Tidwell’s only child, and that the guitar-player’s real name was Reginald. The Tidwells had supposedly drifted north from the whorehouse district of New Orleans—the fabled crib-and-club streets which had been known around the turn of the century as Storyville.
There was no mention of Sara and the Red-Tops in the more formal history of Castle County, and no mention of Kenny Auster’s drownded little brother in either book. Not long before Mattie came over to speak to me, I’d had a wild idea: that Son Tidwell and Sara Tidwell were man and wife, and that the little boy (not named by Osteen) had been their son.
I found the picture Lindy had mentioned and studied it closely. It showed at least a dozen black people standing in a stiff group in front of what looked like a cattle exhibition. There was an old-fashioned Ferris wheel in the background.