JК
The Magehound :: Каннингем Элейн
Страница: 139 из 216Can't betoo careful, with the king just down the hall and all."
It seemed odd that the queen's guard should be concerned about protecting the king rather than tending his own charge. But Matteo nodded politely and waited until the third and final door swung open, this time on hinges of solid iron. He stepped inside, aware that the man was hastily barring the heavy door behind him.
The scene before him was like nothing he had ever seen or imagined. Long tables lined the room in precise rows. Here and there stood movable walls covered with large sheets of parchment. Upon them were written incomprehensible patterns of lines and runes. At second glance, Matteo recognized them as sketches for some new sort of clockwork device.
These were everywhere. A climbing vine, too vividly green to be a living thing, was studded with purple flowers that budded and bloomed and closed, over and over again. Several tiny birds darted among them, «feeding» upon the blossoms. The soft whir of their wings was faintly metallic, incredibly, these were not true hummingbirds but flying toys. A metallic tiger, its markings a lifelike pattern rendered in gold and onyx, prowled about the queen's throne, keeping guard over its mistress.
Queen Beatrix was not at her throne. She stood quietly to one side, studying one of the drawings. So still was she that for a moment, Matteo mistook her for one of her own clockwork devices. When she turned and regarded him with cold brown eyes, he wasn't entirely certain that he had been wrong.
Once she might have been a beautiful woman. Her form was small and slim, and her still features were finely molded and without blemish. But her face was utterly white, painted to resemble fine porcelain. Her mouth was a prim crimson curve and her eyes deeply framed with skillfully applied kohl. She wore a wig of mingled white and silver, elaborately curled and studded with pearls and electrum netting. Her white gown was stiff, formal, and encrusted with silver embroidery. The effect was beautiful, but cold and not quite human. Matteo wouldn't have sworn whether she was woman, goddess, machine, or some combination of all three.
"You may come forward," she said in a flat but unmistakably human voice.
Matteo dipped into a bow and gave his name and that of his patron. "Lord Procopio sends his respects."
"And has the wit not to deliver them himself," Beatrix said, without inflection of anger or humor. She turned away and gestured toward the drawing. "So, jordain. If you would be my counselor, come and tell me what you see.
It seemed odd that the queen's guard should be concerned about protecting the king rather than tending his own charge. But Matteo nodded politely and waited until the third and final door swung open, this time on hinges of solid iron. He stepped inside, aware that the man was hastily barring the heavy door behind him.
The scene before him was like nothing he had ever seen or imagined. Long tables lined the room in precise rows. Here and there stood movable walls covered with large sheets of parchment. Upon them were written incomprehensible patterns of lines and runes. At second glance, Matteo recognized them as sketches for some new sort of clockwork device.
These were everywhere. A climbing vine, too vividly green to be a living thing, was studded with purple flowers that budded and bloomed and closed, over and over again. Several tiny birds darted among them, «feeding» upon the blossoms. The soft whir of their wings was faintly metallic, incredibly, these were not true hummingbirds but flying toys. A metallic tiger, its markings a lifelike pattern rendered in gold and onyx, prowled about the queen's throne, keeping guard over its mistress.
Queen Beatrix was not at her throne. She stood quietly to one side, studying one of the drawings. So still was she that for a moment, Matteo mistook her for one of her own clockwork devices. When she turned and regarded him with cold brown eyes, he wasn't entirely certain that he had been wrong.
Once she might have been a beautiful woman. Her form was small and slim, and her still features were finely molded and without blemish. But her face was utterly white, painted to resemble fine porcelain. Her mouth was a prim crimson curve and her eyes deeply framed with skillfully applied kohl. She wore a wig of mingled white and silver, elaborately curled and studded with pearls and electrum netting. Her white gown was stiff, formal, and encrusted with silver embroidery. The effect was beautiful, but cold and not quite human. Matteo wouldn't have sworn whether she was woman, goddess, machine, or some combination of all three.
"You may come forward," she said in a flat but unmistakably human voice.
Matteo dipped into a bow and gave his name and that of his patron. "Lord Procopio sends his respects."
"And has the wit not to deliver them himself," Beatrix said, without inflection of anger or humor. She turned away and gestured toward the drawing. "So, jordain. If you would be my counselor, come and tell me what you see.