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At least, he thought grimly, he had been wearing his good kerseymere coat for his abortive visit to Bautista, which had served to save the coat from the thieves and to save Sharpe from Lucille's wrath. She was forever telling him he should dress more stylishly, and the dark green kerseymere coat had been the first success in her long and difficult campaign. The coat had become somewhat soiled with horse manure when Sharpe rolled in the stableyard, but he supposed that would brush out.
He pulled on shirt, breeches and boots, then carried the coat downstairs so that one of Blair's servants could attack it with a brush. Blair was already up, drinking bitter coffee in the parlor and with him, to Sharpe's utter surprise, was Captain Marquinez. The Captain had a gold-edged shako tucked under one arm. The shako had a tall white plume that shivered as Marquinez offered Sharpe a low bow. "Good morning, Colonel!"
"Got our travel permits, have you?" was Sharpe's surly greeting.
"What a lovely morning!" Marquinez smiled wiui delight. "Mister Blair has offered me coffee, but I cannot accept, for we are summoned to the Captain-General's audience."
"Summoned?" Sharpe asked. Blair clearly thought Sharpe's hostility was inappropriate, for he was making urgent signals that Sharpe should behave more gently.
Marquinez smiled. "Summoned indeed, Colonel."
Sharpe poured himself coffee. "I'm an Englishman, Captain. You don't summon me."
"What Colonel Sharpe means—" Blair began.
"Colonel Sharpe reproves me, and quite rightly." The plume nodded as Marquinez bowed again. "It would give Captain-General Bautista the most exquisite delight, Colonel, if you and Mister Harper would favor him with your attendance at this morning's audience."
"Bloody hell," Sharpe said. And wondered just what sort of man he would find when he at last met Vivar's enemy.
Bautista's audience hall was a palatial room dominated by a carved and painted royal coat of arms that hung above the fireplace. Incongruously, for it was not cold, a small fire burned in a grate that was dwarfed by the huge stone hearth. The windows at either end of the hall were open; those at the east, where the early sun now dazzled, looked onto the Angel Tower and its execution yard, while the western windows offered a view across the defenses to the swirling waters of the Valdivia River. The whole room, with its blackened beams, lime-washed walls, bright escutcheon and stone pillars, was intended as a projection of Spanish royal power, a grandiose echo of the Escorial.
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