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He had seen death rooms before.
The man who had screamed was crying now, small yelps that peaked in pathetic gulps, and Sergeant Connelley swiftly swallowed some rum, thrust the bottle in a gaping pocket, and lumbered down the room with his bucket of water. Other men were stirring, crying for water, for their mothers, for light, for help, and Connelley called out to them all. “I’m here, lads, I’m here, and you’re brave boys, are you not? Now be brave! We have the French, so we do, and would you want them to think that we’re weak?”
Sharpe breathed in short, shallow gasps, and he swore he would not die. He tried to blank the pain out, but he could not, and he tried to remember men who had come out of the death room alive. He could not. He could only think of his enemy, Sergeant Hakeswill, who had lived through a hanging, and Sharpe swore he would not die.
Connelley shushed the men with his rough tenderness. He walked down the room, pausing by some, finding some dead, comforting others. Sharpe drifted in the pain; it was like a live thing, trapping him, and he struggled with it. Connelley knelt by him, talked to him, and Sharpe heard the Irish voice.
“Patrick?”
“Are you called Patrick now? And us thinking you was a Frenchie.” Connelley stroked the dark hair.
“Patrick?”
“And a good name it is, lad. Connelley’s my name, and Kilkieran Bay’s my country, and you and I will walk on the cliffs there.”
“Dying.” Sharpe had meant it as a question, but the word came as a statement.
“And sure you’re not! You’ll be chasing the women yet, Paddy, so you will.” Connelley took his rum bottle, lifted Sharpe’s head gently, and poured the smallest amount between the lips. “You sleep now, Paddy, you hear me?”
“I’m not going to die.” Each word was soft, each almost edged with a sob.
“Sure you’re not!” Connelley lowered the head. “They can’t kill us Irish.” He backed into the aisle and stood up. The room was quieter now, but Connelley knew that the noise could break cut-again. They were like puppies the dying. Once one was excited, the whole litter began yelping, and a man deserved some quiet to drink and die in. He sang to them, walking up and down the aisle, and he sang the Corporal’s Song that told of the soldier’s life and he repeated the refrain over and over again as if he wanted to sing them softly into a soldier’s death. “It’s a very merry, hey down deny, sort of life enough. A very merry, hey down deny, sort of life enough.
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