Sharpes Sword   ::   Корнуэлл Бернард

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This was the mass attack, the irresistible force, driven by blurred drumsticks, the collection of men turned into a great human battering ram that would be marched against the enemy to smash through the enemy’s centre and make a hole through which the cavalry would pour and tear at the flanks.

The British line, two deep, could usually stop the column. Sharpe had seen it happen a dozen times and there was a cold mathematical logic to the process. A column was a great filled rectangle of men and only the men on its outer edges could use their muskets. Each man in the British line could fire and, even though the column had more men than the line, the line would always win the firefight. The frightening thing about the column was its size, and that scared unsteady troops, overawed them, but it was vulnerable to good troops. The column took the punishment, as Sharpe had seen other columns take punishment, and again he was amazed by the French soldiers who stayed so steady under horrific bombardment. Cannon balls struck the columns and successive ranks soaked up the balls’ passages, and shrapnel cracked over their heads, yet still the column moved. The drums never stopped.

This was the might of France, the pride of France, the tactic of the world’s first conscript army, and this column, Clausel’s counter-attack, ignored cold mathematical logic. It was not defeated by the line.

It pushed the Fourth Division back. The British had fired their clockwork volleys, the muskets flashing rhythmically through the smoke cloud, and Sharpe had seen the Light Companies go back to their Battalions, form line, and join in the musket fight. The Fourth Division was awed by the column. Perhaps the British had seen too much blood at Badajoz, had thought that any man who lived through that ditch had no right to die on a summer’s field, and they took a step back before reloading, and the step became two, and the columns still came on and the officers shouted, the Sergeants tried to dress the ranks, but the lines went backwards.

The drummers paused to let the thousands of voices chant their war cry. “Vive 1’Empereur!” And the drums started again, the old rhythm that Sharpe knew so well. Boom-boom, boom-boom, boomaboom, boomaboom, boom-boom. That rhythm had sounded from Egypt to Russia, had driven the columns to rule Europe, and between each phrase the drummers paused, the shout went up, and the column came on as the drummer boys, tight in the column’s centre, let the sticks fall again.

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