Danse Macabre   ::   Кинг Стивен

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! The Terror from Beyond Space and, of course, in Alien . This hitchhiker has consumed the survivor's two mates, leaving only a mass of sludgy gray stuff behind . . . and, of course, the hitchhiker (a kind of space spore) is now busily at work in the body of the survivor, Victor Carune, who is played with skull-like, spooky believability by Richard Wordsworth. Poor Carune ends up degenerating into a spongy, many-tentacled horror which is finally spotted clinging to a scaffolding in Westminster Abbey and dispatched (just in the nick of time; it is about to sporulate and create billions of these things) by a big jolt of electricity which sets it on fire.

All of this is fairly standard monster-movie fare. What elevates The Creeping Unknown to levels undreamed of in the philosophies of the creators of The Horror of Party Beach is Val Guest's somber, atmospheric direction, and the character of Quatermass himself, played by Brian Donlevy (other actors have since played Quatermass in other films, softening the interpretation a bit). Quatermass is a scientist who may or may not be mad, depending on your own views of technology. Certainly if he is nuts, there is enough Apollonian method in his madness to make him every bit as scary (and every bit as dangerous) as that blob of tentacle-waving goo that was once Victor Carune. "I'm a scientist, not a fortune-teller,” Quatermass grunts contemptuously at a timid doctor who asks him what he thinks might happen next; when a fellow scientist tells him that if he tries to open the hatch of the crashed rocket he will roast the space travelers inside, Quatermass storms at him: "Don't tell me what I can and can't do!” His attitude toward Carune himself is the cold-blooded attitude which a biologist might adopt toward a hamster or a Rhesus monkey. "He's coming along fine," Quatermass says of the catatonic Carune, who is sitting in something which vaguely resembles a dentist's chair and staring out at the world with eyes as black and dead as cinders coughed up from hell. "He knows we're trying to help him.” Yet in the end it is Quatermass triumphant-if only through blind luck. After the monster is destroyed, Quatermass brushes rudely by a police officer who is trying to tell him in a halting way that he prayed they would be successful. "One world at a time is enough for me," the policeman says; Quatermass ignores him.

At the door, his young assistant finds his way to him. "I only just heard, sir," he says. "Is there anything I can do?” "Yes, Morris," Quatermass replies. "I'm going to need some help.” "Help, sir?” "Going to start again," Quatermass amplifies-it is the film's last line of dialogue.

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