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A parent who would raise his or her hands in horror at the thought of taking his/her child to see Dracula or The Changeling (with its pervasive imagery of the drowning child) would be unlikely to object to the baby sitter reading "Hansel and Gretel" to the child before bedtime. But consider: the tale of Hansel and Gretel begins with deliberate abandonment (oh yes, the stepmother masterminds that one, but she is the symbolic mother all the same, and the father is a spaghetti-brained nurd who goes along with everything she suggests even though he know it's wrong-thus we can see her as amoral, him as actively evil in the Biblical and Miltonian sense), it progresses to kidnapping (the witch in the candy house), enslavement, illegal detention, and finally justifiable homicide and cremation. Most mothers and fathers would never take their children to see Survive , that quickly Mexican exploitation flick about the rugby players who survived the aftermath of a plane crash in the Andes by eating their dead teammates, but these same parents find little to object to in "Hansel and Gretel," where the witch is fattening the children up so she can eat them. We give this stuff to the kids almost instinctively, understanding on a deeper level, perhaps, that such fairy stories are the perfect points of crystallization for those fears and hostilities.
Even anxiety-ridden air travelers have their own fairy tales-all those Airport movies, which, like "Hansel and Gretel" and all those Disney cartoons, show every sign of going on forever . . . but which should only be viewed on Thanksgivings, since all of them feature a large cast of turkeys.
My gut reaction to Creature from the Black Lagoon on that long-ago night was a kind of terrible, waking swoon. The nightmare was happening right in front of me; every hideous possibility that human flesh is heir to was being played out on that drive-in screen.
Approximately twenty-two years later, I had a chance to see Creature from the Black Lagoon again-not on TV, with any kind of dramatic build and mood broken up by adverts for used cars, K-Tel disco anthologies, and Underalls pantyhose, thank God, but intact, uncut . . . and even in 3-D. Guys like me who wear glasses have a hell of a time with 3-D, you know; ask anyone who wears specs how they like those nifty little cardboard glasses they give you when you walk in the door. If 3-D ever comes back in a big way, I'm going to take myself down to the local Pearle Vision Center and invest seventy bucks in a special pair of prescription lenses: one red, one blue. Annoying glasses aside, I should add that I took my son Joe with me-he was then five, about the age I had been myself, that night at the drive-in (and imagine my surprise-my rueful surprise-to discover that the movie which had so terrified me on that long-ago night had been rated G by the MPAA . . . just like the Disney pictures).
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