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Dogs and Demons :: Керр Алекс
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Alex Kerr
Dogs and Demons
To my father, Andy Kerr,
who taught me to observe
Acknowledgments
When I began work on this book in 1995, I expected to complete it in about a year. I had no idea that it would turn into one of the biggest challenges of my life and, in the end, take over five years to complete, with constant rethinking and revisions. The issues examined in the book are among the most knotty and perplexing in modern Japanese history – and many of them had never been covered systematically It took an enormous amount of research and conceptualization to bring the story into focus, and I could never have done it without the help of my friends and colleagues.
It began with Merit Janow, with whom I first had the idea for the book, and who gave me constant support and advice.
My greatest thanks are reserved for Bodhi Fishman, whom I have credited chiefly with having researched the book but whose contribution was far greater than that. For five years, Bodhi hunted down thousands of clippings, books, interviews, and articles, reflecting the ever-shifting focus of my writing. In addition, he went over the manuscript countless times and sat with me over the years as we talked over and rethought difficult issues. Bodhi was my true collaborator, and I could not have written the book without him.
In addition, I would like to thank my friends and colleagues in Japan, with whom I have spent many hours discussing these subjects and who urged me to keep writing despite the difficulty of the work. The flower master Kawase Toshiro's and the Kabuki actor Bando Tamasaburo's views on traditional culture were guiding lights to me. Architects Shakuta Yoshiki and Kathryn Findlay filled in my knowledge of architecture, zoning, and city planning. The banker Matsuda Masashi gave me information about the banking crisis.
Karel van Wolferen was a fountain of ideas and advice about Japan's economy and its political dimension; R. Taggart Murphy offered me insights into the financial system; Gavan McCormack was a mother lode of information on the «construction state.» Donald Richie heard my analyses of Japan's cultural trauma and offered pithy comments concerning cinema. Mason Florence, guidebook author and my partner in a project to revitalize the remote Iya Valley in Shikoku, was a sounding board for issues about rural life and tourism. Gary DeCoker provided academic resources concerning the Japanese educational system. The painter Allan West shared his experiences as an artist and a cultural adviser.
Alex Kerr
Dogs and Demons
To my father, Andy Kerr,
who taught me to observe
Acknowledgments
When I began work on this book in 1995, I expected to complete it in about a year. I had no idea that it would turn into one of the biggest challenges of my life and, in the end, take over five years to complete, with constant rethinking and revisions. The issues examined in the book are among the most knotty and perplexing in modern Japanese history – and many of them had never been covered systematically It took an enormous amount of research and conceptualization to bring the story into focus, and I could never have done it without the help of my friends and colleagues.
It began with Merit Janow, with whom I first had the idea for the book, and who gave me constant support and advice.
My greatest thanks are reserved for Bodhi Fishman, whom I have credited chiefly with having researched the book but whose contribution was far greater than that. For five years, Bodhi hunted down thousands of clippings, books, interviews, and articles, reflecting the ever-shifting focus of my writing. In addition, he went over the manuscript countless times and sat with me over the years as we talked over and rethought difficult issues. Bodhi was my true collaborator, and I could not have written the book without him.
In addition, I would like to thank my friends and colleagues in Japan, with whom I have spent many hours discussing these subjects and who urged me to keep writing despite the difficulty of the work. The flower master Kawase Toshiro's and the Kabuki actor Bando Tamasaburo's views on traditional culture were guiding lights to me. Architects Shakuta Yoshiki and Kathryn Findlay filled in my knowledge of architecture, zoning, and city planning. The banker Matsuda Masashi gave me information about the banking crisis.
Karel van Wolferen was a fountain of ideas and advice about Japan's economy and its political dimension; R. Taggart Murphy offered me insights into the financial system; Gavan McCormack was a mother lode of information on the «construction state.» Donald Richie heard my analyses of Japan's cultural trauma and offered pithy comments concerning cinema. Mason Florence, guidebook author and my partner in a project to revitalize the remote Iya Valley in Shikoku, was a sounding board for issues about rural life and tourism. Gary DeCoker provided academic resources concerning the Japanese educational system. The painter Allan West shared his experiences as an artist and a cultural adviser.