Bag of Bones   ::   Кинг Стивен

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She was sitting on a picnic table, holding out her chubby arms and crying. I saw her as clearly as I saw my own face in the mirror each morning when I shaved. I saw she was about Kyra’s age but much plumper, and her hair is black instead of blonde. Her hair is the shade her brother’s will remain until it finally begins to go gray in the impossibly distant summer of 1998, a year she will never see unless someone gets her out of this hell. She wears a white dress and red knee-stockings and she holds her arms out to me, calling Daddy, Daddy. I start toward her and then there is a blast of organized heat that tears me apart for a moment—I am the ghost here, I realize, and Fred Dean has just run right through me. Daddy, she cries, but to him, not me. Daddy!

and she hugs him, unmindful of the soot smearing her white silk dress and her chubby face as he kisses her and more soot begins to fall and the loons beat their way in toward shore, seeming to weep in shrill lamentation. Daddy the fire is coming! she cries as he scoops her into his arms. I know, be brave, he says. We’re gonna be all right, sugarplum, but you have to be brave. The fire isn’t just coming,’ it has come. The entire east end of Halo Bay is inflames and now they’re moving this way, eating one by one the little cabins where the men like to lay up drunk in hunting season and ice-fishing season. Behind A1 Leroux’s, the washing Marguerite hung out that morning is in flames, pants and dresses and underwear burning on lines which are themselves strings of fire. Leaves and bark shower down,’ a burning ember touches Carla’s neck and she shrieks with pain. Fred slaps it away as he carries her down the slope of land to the water. Don’t do it! I scream. I know all this is beyond my power to change, but I scream at him anyway, try to change it anyway. Fight it! For Christ’s sake, fight it! Daddy, who is that man?

Carla asks, and points at me as the green-shingled roof of the Dean place catches fire. Fred glances toward where she is pointing, and in his face I see a spasm of guilt. He knows what he’s doing, that’s the terrible thing—4way down deep he knows exactly what he is doing here at Halo Bay where The Street ends. He knows and he’s ajaid that someone will witness his work. But he sees nothing. Or does he? There is a momenta doubtful widening of the eyes as if he does spy something—a dancing helix of air, perhaps.

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