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I had come at this exact hour in order to replicate my dreams, hoping for some furtherinsight into them or for an idea of what to do next. What I had not come to do was start a forest fire.
Once this was done I stood up and looked around. The crickets sang, as they had in my dreams, and the trees huddled close on either side of the lane, as they always did in my dreams. Overhead, the sky was a fading strip of blue.
I set off, walking up the right hand wheelrut. Jo and I had had one neighbor at this end of the road, old Lars Washburn, but now Lars’s driveway was overgrown with juniper bushes and blocked by a rusty length of chain. Nailed to a tree on the left of the chain was NO Trespassing.
Nailed to one on the right was NEXT CENTURY REAL ESTATE, and a local number. The words were faded and hard to read in the growing gloom.
I walked on, once more conscious of my heavily beating heart and of the way the mosquitoes were buzzing around my face and arms. Their peak season was past, but I was sweating a lot, and that’s a smell they like.
It must remind them of blood.
Just how scared was I as I approached Sara Laughs? I don’t remember. I suspect that fright, like pain, is one of those things that slip our minds once they have passed. What I do remember is a feeling I’d had before when I was down here, especially when I was walking this road by myself. It was a sense that reality was thin. I think it is thin, you know, thin as lake ice after a thaw, and we fill our lives with noise and light and motion to hide that thinness from ourselves. But in places like Lane Forty-two, you find that all the smoke and mirrors have been removed. What’s left is the sound of crickets and the sight of green leaves darkening toward black; branches that make shapes like faces; the sound of your heart in your chest, the beat of the blood against the backs of your eyes, and the look of the sky as the day’s blue blood runs out of its cheek.
What comes in when daylight leaves is a kind of certainty: that beneath the skin there is a secret, some mystery both black and bright. You feel this mystery in every breath, you see it in every shadow, you expect to plunge into it at every turn of a step. It is here; you slip across it on a kind of breathless curve like a skater turning for home.
I stopped for a moment about half a mile south of where I’d left the car, and still half a mile north of the driveway. Here the road curves sharply, and on the right is an open field which slants steeply down toward the lake. Tidwell’s Meadow is what the locals call it, or sometimes the Old Camp.
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