Cerulean Sins   ::   Гамильтон Лорел

I knew who had posed for Cupid, because no one else had ever had that golden hair, thatlong, flawless body. I had memories of what Asher had looked like before, but I'd never seen it, not me, myself. I walked towards the painting like a flower pulled towards the sun. It was irresistible.

Asher lay on his side in the painting, one hand curled against his stomach, the other hand flung outward, limp with sleep. His skin glowed golden in the candlelight, only a few shades lighter than the foam of hair that framed his face and shoulders.

He was nude, but that word didn't do him justice. The candlelight made his skin glow warm from the broadening of his shoulders to the curve of his feet. His nipples were like dark halos against the swell of his chest, his stomach was flat to the grace of his belly button as if an angel had touched that flawless skin and left a delicate imprint, a line of hair dark gold, almost auburn, traced the edge of his stomach, and ran in a line down, down to curl around him, where he lay swollen, partially erect, caught forever between sleep and passion. The curve of his hip was the most perfect few inches of skin that I'd ever seen. That curve drew the eye down to the line of his thigh, the long sweep of his legs.

I remembered with Jean-Claude's memories what the curve of that hip had felt like under my fingertips. I remembered arguing about whose hip was the softest, the most perfect. Belle Morte had said that the lines of both their bodies were the closest to perfection she'd ever seen on a man. Jean-Claude had always believed that Asher was the more beautiful, and Asher had believed the same of Jean-Claude.

The artist had painted white wings on the sleeping figure, so detailed they looked as if they'd be soft if you could touch them. The wings were huge and reminded me of renaissance pictures of angels. They seemed out of place on that golden body.

Psyche was peering around the edge of one wing, so that it shielded her upper body, yet revealed a shoulder, the edge of her body, down to that first curve of hip, but most of her was lost behind Cupid's body. I frowned up at the picture. I knew that shoulder, the curve of the ribs under that white skin. Though traced with golden candlelight, I knew the line of that body. I'd expected Psyche to be Belle Morte, I'd been wrong.

I looked past the long black curls that didn't so much hide the figure as decorate it, and the face peering around the candle's edge was Jean-Claude's. It took me a second to be sure, because he seemed more delicately beautiful than normal, until I realized that he was wearing makeup—that centuries-old version of it, anyway.