Desperation   ::   Кинг Стивен

“‘Praid you folks axe going to have to come with me,” the cop said. His eyes went from Peter to Mary and then back to Peter again. When they did, Peter realized what it was about them that bothered him. They were bright, like the minutes before sunrise on a foggy morning, but they were also dead, somehow.

“Please,” Mary said, her voice wet. “It’s a mistake. His sister—”

“Get in the car,” the cop said, indicating his cruiser. The flashers were still pulsing on the roof, bright even in the bright desert daylight. “Right now, please, Mr. and Mrs.

Jackson.”

The rear seat was extremely cramped (of course it would be, Peter thought distractedly, a man that big would have the front seat back as far as it would go). There were stacks of paper in the footwell behind the driver’s seat (the back of that seat was actually warped from the cop’s weight) and more on the back deck. Peter picked one up—it had a dried, puckered coffee-ring on it—and saw it was a DARE flyer. At the top was a picture of a kid sitting in a doorway. There was a dazed, vacant expression on his face (he looked the way Peter felt right now, in fact), and the coffee-ring circled his head like a halo. USERS ARE LOSERS, the folder said.

There was mesh between the front of the car and the back, and no handles or window—cranks on the doors. Peter had begun to feel like a character in a movie (the one which came most persistently to mind was Midnight Express), and these details only added to that sensation. His best judgement was that he had talked too much about too many things already, and it would be well for him and Mary to stay quiet, at least until they got to wherever Officer Friendly meant to take them. It was probably good advice, but it was hard advice to follow. Peter found him-self with a powerful urge to tell Officer Friendly that a terrible mistake had been made here—he was an assistant professor of English, his specialty was postwar American fiction, he had recently published a scholarly article called “James Dickey and the New Southern Reality” (a piece which had generated a great deal of controversy in certain ivied academic bowers), and, furthermore, that he hadn’t smoked dope in years. He wanted to tell the cop that he might be a little bit overeducated by central Nevada standards, but was still, basically, one of the good guys.

He looked at Mary. Her eyes were full of tears, and he was suddenly ashamed of the way he had been thinking—all me, me, me and I, I, I. His wife was in this with him; he’d do well to remember that. “Pete, I’m so scared,” she said in a whisper that was almost a moan.