The Black Arrow   ::   Stevenson Robert Louis

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 Hatch, roaring an oath, put his horse at the hedge, to head him off; but the beast refused, and sent his rider sprawling in the dust. And though he was up again in a moment, and had caught the bridle, the time had gone by, and the fugitive had gained too great a lead for any hope of capture.

The wisest of all had been Dick Shelton. Instead of starting in a vain pursuit, he had whipped his crossbow from his back, bent it, and set a quarrel to the string; and now, when the others had desisted, he turned to Bennet and asked if he should shoot.

“Shoot! shoot!” cried the priest, with sanguinary violence.

“Cover him, Master Dick,” said Bennet. “Bring me him down like a ripe apple.”

The fugitive was now within but a few leaps of safety; but this last part of the meadow ran very steeply uphill; and the man ran slower in proportion. What with the greyness of the falling night, and the uneven movements of the runner, it was no easy aim; and as Dick levelled his bow, he felt a kind of pity, and a half desire that he might miss. The quarrel sped.

The man stumbled and fell, and a great cheer arose from Hatch and the pursuers. But they were counting their corn before the harvest. The man fell lightly; he was lightly afoot again, turned and waved his cap in a bravado, and was out of sight next moment in the margin of the wood.

“And the plague go with him!” cried Bennet. “He has thieves’ heels; he can run, by St Banbury! But you touched him, Master Shelton; he has stolen your quarrel, may he never have good I grudge him less!”

“Nay, but what made he by the church?” asked Sir Oliver. “I am shrewdly afeared there has been mischief here. Clipsby, good fellow, get ye down from your horse, and search thoroughly among the yews.”

Clipsby was gone but a little while ere he returned carrying a paper.

“This writing was pinned to the church door,” he said, handing it to the parson. “I found naught else, sir parson.”

“Now, by the power of Mother Church,” cried Sir Oliver, “but this runs hard on sacrilege! For the king’s good pleasure, or the lord of the manor — well! But that every run-the-hedge in a green jerkin should fasten papers to the chancel door — nay, it runs hard on sacrilege, hard; and men have burned for matters of less weight. But what have we here? The light falls apace. Good Master Richard, y’ have young eyes. Read me, I pray, this libel.”

Dick Shelton took the paper in his hand and read it aloud. It contained some lines of very rugged doggerel, hardly even rhyming, written in a gross character, and most uncouthly spelt.

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