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They’re not cuddling, nestling, or spooning – in fact, Michael couldn’t be any farther away from her without rolling off the mattress. Nonetheless, the sight of them sharing a bed immediately irks me.
I know they’re husband and wife, that this is completely normal, even if their marriage isn’t. I simply never thought about it this way. I never see any intimacy between the two of them.
Now here I am looking at them together in bed.
What a weird feeling, so uncomfortable, unsettling. It’s not so much that I’m jealous. It’s more like I’m angry.
I don’t think it’s possible to hate Penley any more than I do right now, and she hasn’t really done anything wrong, has she?
I’m no longer staring at both of them. Just her. I see her bony shoulders jutting out from the puffy duvet, and the turned-up little nose that she wrinkles when something bothers her – which is always. Even asleep she looks like a bitch! Penley could star in Wicked – without makeup.
My eyes drift.
Scattered on the bed are more pillows than two people could ever possibly use. I focus on one propped against the headboard, untouched. My brain ignites, and like sparks, the ideas come flying. All of them evil.
How easy it would be to lean over Penley and grab that pillow, place it on her face with my elbows locked and smother her. If I did it quick enough, she wouldn’t even struggle, would she? There would be no violent kicking, no muffled screams. She’d die a quick, silent, 100 percent goose down death.
Could I really do it?
Hell, I can’t even believe I’m thinking it.
It occurs to me: maybe that’s the connection – why Penley’s picture has the same ghosting effect as the body bags from the Fálcon. It’s because she’s in danger.
From me?
I feel dizzy. A rush of cold air hits me and I gasp, only to look over at the curtains and see them billowing. The window over the terrace has been open all this time.
A little shiver travels up through my spine and head, jarring my thoughts in an entirely new direction.
I know exactly what I have to do now.
Shoot Michael.
Chapter 54
CAREFULLY, I REMOVE THE LEICA from my shoulder bag, double-checking to make sure it’s loaded. My hands steady, I aim right for Michael’s head.
Don’t think, just shoot.
“Mommy!”
My head whips around. Oh, jeez, it’s Sean calling from his room.
“Mommy!” he yells again.
I look back at Michael and Penley. They’re waking up. Quick, hide!
I glance at my camera. No, wait.
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