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I must shamefully confess that my natural alarm was somewhat subdued by the thought that Sebastian was very high-strung and nervous and had always been inclined to undue pessimism when his health was impaired. I had, I repeat, not the smallest inkling of his heart trouble, and so I managed to convince myself that he was suffering from overwork. Still, he was ill and begging me to come in a tone that was novel to me. He had never seemed to need my presence, but now he was positively pleading for it. It moved me, and it puzzled me, and I would certainly have jumped into the very first train had I known the whole truth. I got the letter on Thursday and at once resolved to go to Paris on Saturday, so as to journey back on Sunday night, for I felt that my firm would not expect me to take a holiday at the critical stage of the business I was supposed to be looking after in Marseilles. I decided that instead of writing and explaining I would send him a telegram Saturday morning, when I should know whether, perhaps, I could take the earlier train.
And that night I dreamt a singularly unpleasant dream. I dreamt I was sitting in a large dim room which my dream had hastily furnished with odds and ends collected in different houses I vaguely knew, but with gaps or strange substitutions, as for instance mat shelf which was at the same time a dusty road. I had a hazy feeling that the room was in a farmhouse or a country inn – a general impression of wooden walls and planking. We were expecting Sebastian – he was due to come back from some long journey. I was sitting on a crate or something, and my mother was also in the room, and there were two more persons drinking tea at the table round which we were seated – a man from my office and his wife, both of whom Sebastian had never known, and who had been placed there by the dream manager – just because anybody would do to fill the stage.
Our wait was uneasy, laden with obscure forebodings, and f felt that they knew more than I, but I dreaded to inquire why my mother worried so much about a muddy bicycle which refused to be crammed into the wardrobe: its doors kept opening. There was the picture of a steamer on the wall, and the waves on the picture moved like a procession of caterpillars, and the steamer rocked and this annoyed me – until I remembered that the hanging of such a picture was an old and commonplace custom, when awaiting a traveller's return. He might arrive at any moment, and the wooden floor near the door had been sprinkled with sand, so that he might not slip.
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