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Eerie, isn't it? One half-expects to see a brownie among those dead leaves and convolvulus.'
'Look here, Sebastian,' she suddenly exclaimed, putting her hands on his shoulders. 'I want to know what's the matter. Perhaps you've stopped loving me. Is it that?'
'Oh my darling, what nonsense,' said he with perfect sincerity. 'But… if you must know… you see… I'm not good at deceiving, and well, I'd rather you knew. The fact is I felt a confounded pain in my chest and arm, so I thought I'd better dash to Berlin and see a doctor. He packed me off to bed there…. Serious?… No, I hope not. We discussed coronary arteries and blood supply and sinuses of Salva and he generally seemed to be a very knowing old beggar. I'll see another man in London and get a second opinion, though I feel fit as a fiddle today….'
I suppose Sebastian already knew from what exact heart-disease he was suffering. His mother had died of the same complaint, a rather rare variety of angina pectoris, called by some doctors 'Lehmann's disease'. It appears, however, that after the first attack he had at least a year's respite, though now and then he did experience a queer twinge as of inner itch in his left arm.
He sat down to his task again and worked steadily through the autumn, spring, and winter. The composing of Success turned out to be even more arduous than that of his first novel and took him much longer, although both books were about the same length. By a stroke of luck I have a direct picture of the day Success was finished. This I owe to someone I met later – and indeed many of the impressions I have offered in this chapter have been formed by corroborating the statements of Miss Pratt with those of another friend of Sebastian's, though the spark which had kindled it all belongs in some mysterious manner to that glimpse I had of Clare Bishop walking heavily down a London street.
The door opens. Sebastian Knight is disclosed lying spread-eagled on the floor of his study. Clare is making a neat bundle of the typed sheets on the desk. The person who entered stops short.
'No, Leslie,' says Sebastian from the floor, 'I'm not dead. I have finished building a world, and this is my Sabbath rest.'
10
The Prismatic Bezel was appreciated at its true worth only when Sebastian's first real success caused it to be presented anew by another firm (Bronson), but even then it did not sell as well as Success, or Lost Property. For a first novel it shows remarkable force of artistic will and literary self-control. As often was the way with Sebastian Knight he used parody as a kind of springboard for leaping into the highest region of serious emotion. J.
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