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Pale, cold, blue, the startling color of a Husky'seyes. But it wasn't just the eyes, it was the hair. It had looked golden, but the normal gold of a dark blond. In the truer light of the car, I realized it wasn't just illusion and dim light, it was gold. His hair was the truest gold I'd ever seen outside of a bottle or a can of metallic paint. The combination of hair and eyes was amazing. Even without the scars he wouldn't have looked real.
I glanced from one vampire to the other. Jean-Claude was the more beautiful, and it wasn't the scars. Asher was just a trace more handsome than he was pretty. "The same vamp made you both, right?" I asked.
Jean-Claude nodded.
Asher just stared at me.
"Where'd she go?" I asked. "Unnaturally-Beautiful-Studs-R-Us?"
Asher let out a harsh bark of laughter. He dragged his fingers down the scarred side of his face, making the skin stretch, drawing it away from his eye so you could see the pale inner flesh of the eye socket. He emphasized everything into a kind of hideous mask. "Do you think I am beautiful, Anita?" He released the skin, and it snapped back into place, resilient, perfect in its own way.
I looked at him. "What do you want me to say, Asher?"
"I want you to be terrified. I want to see on your face what I've seen on every face for the last two hundred years—disgust, derision, horror."
"Sorry," I said.
He leaned into the seats, showing the scars to the light. He seemed to have an innate sense of what any light would do to the wounds, to know just how the shadows would fall. Years of practice, I guess.
I just looked at him. I met his pale, perfect eyes, gazed on the thick waves of golden hair, the fullness of his lips. I shrugged. "What can I say? I'm a hair and eye person, and you have great hair and amazing eyes."
Asher threw himself back into his seat. He gazed at us both, and there was such rage in his eyes. Such horrible rage that it scared me.
"There," he said. "There, you're afraid of me. I can see it, smell it, taste it." He smiled, pleased with himself, triumphant somehow.
"Tell him what you fear, ma petite ."
I glanced at Jean-Claude, then back at Asher. "It's not the scars, Asher. It's your hatred that's frightening."
He leaned forward, and I think without meaning to, his hair spilled around his face, camouflaging him. It had the look of long habit, long comfort. "Yes, my hatred is frightening. Terrifying. And remember, Anita Blake, that the hatred is all for you and your master.
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