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Some animators have elaborate cases. I've even seen one who had a little suitcase that turned into a table like a magician's or a street vendor's. Me, I made sure everything was packed tight so nothing got broken or scratched up, but other than that, I didn't see the point to being fancier than you needed to be. If people wanted a show they could go down to the Circus of the Damned and watch zombies crawl from the grave with actors pretending to be terrified of them. I wasn't an entertainer, I was an animator, and this was work.
I turned down Halloween parties every year, where people wanted zombies raised at the stroke of midnight or some such nonsense. The scarier my reputation got, the more people wanted me to come be scary for them. I'd told Bert I could always go and threaten to shoot all the partygoers, that'd be scary. Bert had not been amused. But he had stopped asking me to do parties.
I'd been trained to use an ointment spread over face, hands, heart. The smell of rosemary, like breathing in a Christmas tree, still held a great nostalgia for me, but I didn't use the ointment anymore. I'd raised the dead in emergencies without it, more than once, so it got me to thinking. Some believed it helped the spirits enter you, so the powers that be could use you to raise the dead. Most, in America anyway, believed that the scent and touch of the herbal mixture enhanced your psychic abilities, or helped open them so they'd work at all. I never seemed to have any trouble raising the dead. My psychic abilities were always on line for animating. So I still carried the ointment, just in case, but I didn't use it much anymore.
The three things I did still need for animating were steel, fresh blood, and salt. Though the salt actually was to put the zombie back in the grave once we were finished with it. I'd cut my paraphernalia to the absolute minimum, and recently, I'd cut it down even more. And I mean that «cut» part literally.
My left hand was covered in little bandages. I was using the clear ones, so I didn't look like a tan version of the mummy's hand. There were larger bandages on my left forearm. All the wounds were self-inflicted, and it was beginning to piss me off.
I had been learning how to control my growing psychic powers by studying with Marianne, who had been a psychic when I met her, but had become a witch. She was Wiccan now. Not all witches are Wiccan, and if Marianne had been another flavor of witch, I wouldn't have had to cut myself up. Marianne, as my teacher, shared some of my karmic debt, or so her group—read coven—believed.
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