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When the dog nuzzled his hand, the guard jerked the lead. The animal growled in response; a low, deep-throated growl that made the air around it vibrate. Nice dog, thought Gabriel. Let’s not do anything to upset the fucking dog.
The pool house appeared before them, long and low, ornate globe lamps glowing through the rising mist. There were guards inside; Gabriel could just make them out through the fogged windows. One of them appeared to be leading a tiny robed figure.
And then Gabriel felt a searing pain in his right kidney. His back arched, his face tilted upward, and for an instant he saw the stiletto tips of the pine trees stretching toward the heavens, and in his agony the heavens were a van Gogh riot of color and motion and light. Then the second blow fell, this one at the back of his head. The heavens turned to black, and he collapsed, facedown, in the snow.
44
NIDWALDEN , SWITZERLAND
G BRIEL OPENED ONE EYE, then, slowly, the other. He might as well have kept them closed, because the darkness was perfect. Absolute black, he thought. Theoretical black.
It was bitterly cold, the floor rough concrete, the air heavy with sulphur and damp. His hands were cuffed behind him with his palms pointed out, so that the muscles of his shoulders burned with lactic acid. He tried to imagine the contorted position of his body and limbs: right cheek and right shoulder pressed against the concrete; left shoulder in the air; pelvis twisted; legs knotted. He thought of art school-the way the teachers used to twist the limbs of the models to expose muscle and sinew and form. Perhaps he was just a model for some Swiss Expressionist painting. Man in a Torture Chamber -artist unknown.
He closed his eyes and tried to right himself, but the slightest contraction of his back muscles set his right kidney on fire. Grunting, he fought through the pain, and managed to set himself upright. He leaned his head against the wall and winced. The second blow had left a knot the size of an egg at the back of his head.
He dragged his fingertips over the wall: bare rock; granite, he supposed. Wet and slick with moss. A cave? A grotto of some sort? Or just another vault? The Swiss and their damned vaults. He wondered if they would leave him here forever, like a gold bar or a Burgundian armchair.
The silence, like the darkness, was complete. Nothing from above or below. No voices, no barking dogs, no wind or weather; just a silence which sang in his ear like a tuning fork.
He wondered how Peterson had done it.
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