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The Gate House :: Demille Nelson
Страница: 11 из 490It was inexcusable, of course, on every level, especially since George, a Stanhope employee, was off to war, protecting America from the Yellow Peril in the Pacific. But, as I found out as a young man during the Vietnam War, and as I’m discovering with this new war, war tears apart the social fabric of a nation, and you get a lot more diddling and fiddling going on.
I stared at Ethel’s angelic face in the photograph. She really was beautiful. And lonely. And George was out of town for a while. And Augustus was rich and powerful. He was not, however, according to family accounts, a conniving and controlling prick like his son, my ex-father-in-law, William. I think Augustus was just horny (it runs in the Stanhope family), and if you look at a picture of Augustus’ wife, Susan’s grandmother, you can see why Augustus strayed. Susan, I guess, got her good looks from her mother, Charlotte, who is still attractive, though brainless.
And on the subject of brains and beauty, my children have both, and show no signs of the Stanhope tendency to be off their rockers. I’d like to say my children take after my side of the family, but my parents aren’t good examples of mental health either. I think I was adopted. I hope and pray I was.
Actually, my father, Joseph, passed away while I was at sea, and I missed the funeral. Mother hasn’t forgiven me. But that’s nothing new.
And on the subject of children, paternity, and genetics, Ethel and George had one child, a daughter, Elizabeth, who’s a nice woman and who lives in the area. Elizabeth gets her beauty from her mother, but looks enough like George to put my mind at ease about any more Stanhope heirs.
I’m taking the long view of this in terms of my children inheriting some of the Stanhope fortune. They deserve some money for putting up with Grandma and Grandpa all their lives. So do I, but a probate court might find my claim on the Stanhope estate – to reimburse me for years of putting up with William’s bullshit – to be frivolous.
In any case, there is a history here – my own family goes back three hundred years on Long Island – and this history is entwined like the English ivy that covers the gatehouse and the guest cottage; interesting to look at from a distance, but obscuring the form and substance of the structure, eventually eating into the brick and mortar.
F. Scott Fitzgerald, sitting not too far from where I was now, had it right when he concluded The Great Gatsby with, “So we beat on, boats against the current, borne back ceaselessly into the past.” Amen.
I stared at Ethel’s angelic face in the photograph. She really was beautiful. And lonely. And George was out of town for a while. And Augustus was rich and powerful. He was not, however, according to family accounts, a conniving and controlling prick like his son, my ex-father-in-law, William. I think Augustus was just horny (it runs in the Stanhope family), and if you look at a picture of Augustus’ wife, Susan’s grandmother, you can see why Augustus strayed. Susan, I guess, got her good looks from her mother, Charlotte, who is still attractive, though brainless.
And on the subject of brains and beauty, my children have both, and show no signs of the Stanhope tendency to be off their rockers. I’d like to say my children take after my side of the family, but my parents aren’t good examples of mental health either. I think I was adopted. I hope and pray I was.
Actually, my father, Joseph, passed away while I was at sea, and I missed the funeral. Mother hasn’t forgiven me. But that’s nothing new.
And on the subject of children, paternity, and genetics, Ethel and George had one child, a daughter, Elizabeth, who’s a nice woman and who lives in the area. Elizabeth gets her beauty from her mother, but looks enough like George to put my mind at ease about any more Stanhope heirs.
I’m taking the long view of this in terms of my children inheriting some of the Stanhope fortune. They deserve some money for putting up with Grandma and Grandpa all their lives. So do I, but a probate court might find my claim on the Stanhope estate – to reimburse me for years of putting up with William’s bullshit – to be frivolous.
In any case, there is a history here – my own family goes back three hundred years on Long Island – and this history is entwined like the English ivy that covers the gatehouse and the guest cottage; interesting to look at from a distance, but obscuring the form and substance of the structure, eventually eating into the brick and mortar.
F. Scott Fitzgerald, sitting not too far from where I was now, had it right when he concluded The Great Gatsby with, “So we beat on, boats against the current, borne back ceaselessly into the past.” Amen.