The Gate House   ::   Demille Nelson

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’ An enclosed explanation is not usually necessary or appropriate, though in recent years the sender oftenindicates in a short note that the photographs have not been posted on the Internet. The recipient should send a thank-you note within ten days. (Signed) Emily Post.”

On the subject of communication between ex-spouses, in my phone calls to and from Edward and Carolyn, they’d both given me their mother’s new home phone number and told me that she had kept her South Carolina cell phone number. Plus, I had her e-mail address, though I didn’t have a computer. Susan, of course, knew Ethel’s phone number here, which hadn’t changed since FDR was President. So… someone should call someone.

I went back to my paperwork. I found my marriage license and I also found my divorce decree, so I stapled them together. What came in between was another whole story.

Regarding my divorce decree, I’d need this in the unlikely event I decided to remarry. In fact, the lady in London, Samantha, had said to me, “Why don’t we get married?” to which I’d replied, “Great idea. But who would have us?”

I’d spoken to Samantha a few times since I’d left London, and she wanted to fly to New York, but since the relationship was up in the air, Samantha wasn’t up in the air.

I pulled a manila envelope toward me that was marked, in Susan’s handwriting, “Photos for Album.” They hadn’t made it into any album and were not likely to do so. I spilled out the photos and saw that they were mostly of the Sutters, the Stanhopes, and the Allards, taken over a period of many years, primarily on holiday occasions – Christmas, Easter, Thanksgiving, birthdays, and all that.

The whole cast was there – William and Charlotte Stanhope and their wastrel son, Susan’s brother, Peter, as well as Susan herself, looking always twenty-five years old.

Then there was me, of course, with Edward and Carolyn, and my parents, Joseph and Harriet, and in one of the photos was my sister Emily with her ex-husband, Keith. There was a nice shot of my aunt Cornelia and her husband, Arthur, now both deceased.

It was hard to believe that there was a time when everyone was alive and happy. Well, maybe not that happy, but at least encouraged to smile for the camera, helped along by a few cocktails.

As I looked at the photos, I couldn’t believe that so many of these people were dead, divorced, or, worse, living in Florida.

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