The Mysterious Flame Of Queen Loana :: Эко Умберто
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This, with its unbearable realism, is the first time I have ever read abouta pregnancy. I am not surprised by what I learn, which confirms what I have gathered on my own. But I am frightened by the thought that someone might catch me in the act of reading that forbidden text, and learn that I have learned. I feel sinful, because I have violated a prohibition. I place the book back in the dresser, trying to hide every trace of my intrusion. I know a secret, and I feel guilty for knowing it.
This happens long before I kiss the face of the lovely diva on the cover of Novella , and it is part of the revelation of birth, not of sex. Like certain primitive peoples who, they say, never managed to establish a direct correlation between the sexual act and pregnancy (and nine months is a century, as Paola would say), I, too, went a long time before grasping the mysterious link between sex, that adult activity, and babies.
Not even my parents worry that I might feel distressing sensations. It seems their generation felt them late, or else they have forgotten their childhoods. They are leading me and Ada by the hand, they run into an acquaintance, Papà says we are on our way to see Goldene Stadt , and the acquaintance grins mischievously at us little ones and whispers that the movie is "a little saucy." Papà replies nonchalantly, "I guess we’ll have to wipe their chins." And me with my heart in my throat watching Kristina Söderbaum’s clinches.
In the hallway at Solara, as I was thinking of the expression "races and peoples of the earth," a hairy vulva came to mind. Indeed, here I am, with a few friends, around the time of middle school perhaps, in someone’s father’s study, where we are looking at Biasutti’s Races and Peoples of the Earth. We flip the pages quickly until we reach a page with a photo of Kalmyk women, à poil , their sexual organs visible, or rather their fur. Kalmyk women, women who sell by themselves.
I am in the fog again. It reigns supreme in the dark of the blackout, as the city contrives to vanish from the celestial sight of enemy aircraft, and does in any case vanish from my sight as I observe it from the ground. I advance through that fog, like the boy in that picture in my first-grade reader, holding Papà’s hand, and he is wearing the same Borsalino hat as the man in the picture, though his coat is less elegant, shabbier, and slope-shouldered, raglan-style- and mine is even more threadbare, with the buttonholes on the right, a sign that it is made of reversed material from one of Papà’s old overcoats. In his right hand he holds not a walking stick but an electric flashlight, though not the kind with batteries.
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