The Mysterious Flame Of Queen Loana :: Эко Умберто
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But that same morning, as we marched in the courtyard, he started crawling on all fours, and we all thought thatsuch behavior in the wake of his father’s death was truly disgraceful. The teacher shouted that he lacked the most basic sense of gratitude. Orphaned two days earlier, now the beneficiary of his classmates’ generosity, and already delinquent: with the family he came from, he would never be redeemed.
A deuteragonist in that little drama, I had a moment of doubt. I had felt something similar the morning after the composition, when I woke unsettled, wondering if I really loved Il Duce or if I was just a hypocritical boy writing that I did. Watching Bruno go around on all fours, I understood that it was a spasm of dignity, a way of reacting to the humiliation that our clammy generosity had inflicted on him.
I understood it better days later, during one of those Fascist Saturday rallies, when all the Balilla Boys lined up in uniform-ours looked brand-new, Bruno’s looked like his school smock, and his blue neckerchief was poorly knotted-to recite the Oath. The centurion said, "In the name of God and Italy, I swear to carry out the orders of Il Duce and to serve with all my strength and, if need be, with my blood, the cause of the Fascist Revolution. Do you all swear it?" While the rest of us shouted "I swear!", Bruno, who was close enough for me to hear him perfectly, shouted "Pierre!" He was rebelling. It was the first act of revolt I had ever witnessed.
Was he rebelling of his own accord, or because his father, like the father of Italy’s boy-in-the-world, had been a drunkard and a socialist? Regardless, I now understand that Bruno was the first to teach me how to react to the rhetoric that was suffocating us.
Between the composition of my tenth year and the chronicle of my eleventh, at the end of fifth grade, I had been transformed by Bruno’s lesson. He was a revolutionary anarchist, I a budding skeptic, and his Pierre became my unbreakable glass.
It is clear now, in the coma’s silence, that I understand better all that has happened to me. Is this the illumination others achieve when they come to the brink, at which point, like Martin Eden, they understand everything, but as they know, they cease to know? I, who am not yet on the brink, have an advantage over those who die. I understand, I know, and I even remember (now) that I know. Does that make me one of the lucky?
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