The Mysterious Flame Of Queen Loana   ::   Эко Умберто

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" That is what is happening to me now, in this hyperalert sleep of mine. Since reawakening into memory’s favor (a few seconds ago? a thousand years?), I have seen my parents in vivid detail, and Gragnola and Dr. Osimo and Maestro Monaldi and Bruno, seen every feature of their faces, smelled them, heard their voices. Everything around me is clear except for Lila’s face. As in those photos where the face is pixellated, to protect the identity of the underage defendant, or of the axe murderer’s innocent wife. I can make out Lila’s slim outline in her black smock, her smooth stride as I follow her like a spy, can see the back of her hair lilt with each step, but I have yet to see her countenance.

I am still struggling against a roadblock, as if I were afraid of not being able to withstand that light.

I can see myself writing my poems for her, Creature contained within that transient mystery , and I am beside myself, not only at the memory of my first love, but also with the anguish of not being able, now, to recall her smile, those two front teeth Gianni mentioned- which he, damn him, knows and remembers.

I must remain calm, must give my memory whatever time it needs. This is enough for now; if I am breathing, my breath must be growing calm, for I can sense that I have reached the place. Lila is a step away.

I can see myself entering the girls’ class to sell those tickets, I can see Ninetta Foppa’s ferret eyes, Sandrina’s rather plain profile, then here I am in front of Lila, ready with some clever remark as I rummage for her change but fail to find it, so as to prolong my stay before an icon whose image keeps breaking up, like a TV screen gone tilt.

I feel the boundless pride in my heart that evening in the theater, as I pretend to place Signora Marini’s cough drop in my mouth. The theater erupts, and I experience an unspeakable feeling of limitless power. The next day I try to explain it to Gianni. "It was," I tell him, "the amplifier effect, the miracle of the megaphone: with a minimal expenditure of energy you cause an explosion, you feel yourself generate immense force with little effort. Down the road I might become a tenor who drives crowds wild, a hero who leads ten thousand men to their deaths to the strains of the Marseillaise, but I couldn’t possibly ever again feel anything as intoxicating as last night."

I now feel exactly that.

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