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The Mysterious Flame Of Queen Loana :: Эко Умберто
Страница: 57 из 286On the left, the first foothills of the Langhe region, with its harsher, less modulated contours, like a series of ranges oneafter the other, each given perspective by a different hue, until the farthest ones vanish in a pale blue haze.
I was discovering that landscape for the first time, yet I felt it was mine and had the impression that, had I launched into a mad run down toward the valleys, I would have known where I was going and how to get there. In a way it was like leaving the hospital and being able to drive that car I had never seen. I felt at home. I was gripped by a vague joy, an absent-minded happiness.
The embankment continued its ascent along the flank of a hill that suddenly loomed above it, and there, at the end of a drive lined with horse chestnuts, was the house. We came to a stop in front of a kind of courtyard splashed with beds of flowers, and behind the building you could glimpse a slightly higher hill, over which stretched what must have been Amalia’s little vineyard. From the front it was difficult to discern the shape of that huge house with its tall second-story windows: you could see the vast central wing, which featured a lovely oak door set in a rounded archway beneath a balcony that overlooked the drive, and two smaller wings on either side with humbler entryways, but it was hard to tell how far the house extended in back, toward the hill. The courtyard looked out, behind me, onto the two landscapes I had just admired, and with a 180-degree panorama, for the driveway ascended gradually and the road that had led us here disappeared below us, without blocking the view.
It was a brief impression, because almost at once we heard shrieks of jubilation, and there emerged a woman who, from the descriptions I had been given, could have been no one but Amalia: short of leg, rather robust, ot uncertain age (as Nicoletta had said earlier, between twenty and ninety), with a dried-chestnut face that was lit by an irrepressible joy. In short, the welcoming ceremony, hugs and kisses, demure gaffes quickly followed by little cries cut off by a hand clapped over a mouth (does Signorino Yambo remember this and that, surely you recognize, and so on, with Nicoletta, behind me, no doubt giving her looks).
I was discovering that landscape for the first time, yet I felt it was mine and had the impression that, had I launched into a mad run down toward the valleys, I would have known where I was going and how to get there. In a way it was like leaving the hospital and being able to drive that car I had never seen. I felt at home. I was gripped by a vague joy, an absent-minded happiness.
The embankment continued its ascent along the flank of a hill that suddenly loomed above it, and there, at the end of a drive lined with horse chestnuts, was the house. We came to a stop in front of a kind of courtyard splashed with beds of flowers, and behind the building you could glimpse a slightly higher hill, over which stretched what must have been Amalia’s little vineyard. From the front it was difficult to discern the shape of that huge house with its tall second-story windows: you could see the vast central wing, which featured a lovely oak door set in a rounded archway beneath a balcony that overlooked the drive, and two smaller wings on either side with humbler entryways, but it was hard to tell how far the house extended in back, toward the hill. The courtyard looked out, behind me, onto the two landscapes I had just admired, and with a 180-degree panorama, for the driveway ascended gradually and the road that had led us here disappeared below us, without blocking the view.
It was a brief impression, because almost at once we heard shrieks of jubilation, and there emerged a woman who, from the descriptions I had been given, could have been no one but Amalia: short of leg, rather robust, ot uncertain age (as Nicoletta had said earlier, between twenty and ninety), with a dried-chestnut face that was lit by an irrepressible joy. In short, the welcoming ceremony, hugs and kisses, demure gaffes quickly followed by little cries cut off by a hand clapped over a mouth (does Signorino Yambo remember this and that, surely you recognize, and so on, with Nicoletta, behind me, no doubt giving her looks).