The Sicilian   ::   Puzo Mario

"Thanks for the warning," Guiliano said. "Keep an eye out for Pisciotta in town and tell him. And when you take your cart to Montelepre, pay my mother a visit and tell her I am safely in America."

Zu Peppino said, "Allow an old man to embrace you." And he kissed Guiliano on the cheek. "I never believed you could help Sicily, nobody can, nobody ever could, not even Garibaldi, not even that windbag Il Duce. Now if you like I can put my mules to a cart and carry you wherever you want to go."

Guiliano's rendezvous time with Pisciotta had been for midnight. It was now only ten. He had deliberately come in early to scout the ground. And he knew that the rendezvous with Michael Corleone was for dawn. The fallback meeting place was at least a two-hour fast walk from Castelvetrano. But it was better to walk than use Zu Peppino. He thanked the old man and slipped out into the night.

The fallback meeting place was the famous ancient Greek ruins called the Acropolis of Selinus. South of Castelvetrano, near Mazzara del Vallo, the ruins stood on a desolate plain near the sea, ending where the sea cliffs began to rise. Selinus had been buried by an earthquake before Christ was born, but a row of marble columns and architraves still stood. Or rather had been raised by excavators. There was still the main thoroughfare, though now reduced to rubble by the skeletons of ancient buildings lining its way. There was a temple with its roof matted with vines and showing holes like a skull and stone columns exhausted and gray with centuries of age. The acropolis itself, the fortified center of ancient Greek cities, was, as usual, built on the highest ground, and so these ruins looked down on the stark countryside below.

The scirocco, a terrible desert wind, had been blowing all day. Now, at night, so close to the sea, it sent fog rolling through the ruins. Guiliano, weary of his long forced march, detoured around to the sea cliffs so he could look down and spy out the land.

It was a sight so beautiful that he forgot for a moment the danger he was in. The temple of Apollo had fallen in on itself in a twisted mass of columns. Other ruined temples gleamed in the moonlight – without walls, just columns, strands of roof and one fortress wall with what had been a barred window high up, now blackly empty, the moon shining through it. Lower down in what had been the city proper, below the acropolis, one column stood alone, surrounded by flat ruins, that in its thousands of years had never fallen. This was the famous "Il Fuso della Vecchia," the Old Woman's Spindle.