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She applied a base to her face and hands, changing her natural olive skin to a lighter shade. Next, she put on some underwear, a pair of black leggings that went down just below the knee, and a long-sleeved white T-shirt. Over that she put on a shapeless, beige, full-length linen tank dress. To top off the disguise, she carefully pinned a sandy blond shoulder-length wig to her head.
All of the makeup and toiletries were swept off the vanity into one of the hotel's plastic b~, and the whole thing was thrown in her suitcase. Donatella slipped into a pair of white J. Crew tennis shoes and stood in front of the full-length mirror. The outfit could not have complemented her figure less, but that was the point. It was standard East Coast yuppie. Donatella liked to think of it as suburban housewife camouflage. She could go to virtually any city in America and blend in perfectly.
She closed her suitcase, locked it, and left it by the door. On her way to the school, she would call the front desk and ask them to have a bellhop bring it down. She left the room with only her oversized shoulder bag and took the elevator to the lobby.
RAPP MADE IT to the Safeway a few minutes before the others. He studied the black-and-white photo and brief dossier that had been faxed to the director's house. He was ninety-nine percent sure he had never laid eyes on Peter Cameron. That probably ruled out any personal grudges. Cameron had to be working for someone else. The drive in from McLean had given Rapp time to think of the larger ramifications. He had been focused on himself and how the events of the last week had affected him personally; now he was beginning to see the big picture.
He had never seen Stansfield or Kennedy as worried as this, and the more he thought about it, the more he understood why. If Cameron worked for a foreign intelligence agency, the real question would be how long had he been doing so, and how much information had he passed along? To make matters worse, the man was a consultant with the intelligence committees, and that meant he still had access to sensitive information. The damage would make the Aldrich Ames scandal look like child's play.
Before leaving the director's house, Stansfield had impressed upon Rapp the magnitude of the situation. Cameron was to be taken alive, and it was to be done as quietly as possible. No scenes, nothing that would gamer the attention of law enforcement, the media, and even any- one at the Agency. Stansfield was adamant that the Agency was to be kept out of it. He placed the entire matter on Rapp's shoulders.
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