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Демон и Лабиринт (Диаграммы, деформации, мимесис) :: Ямпольский Михаил
Страница: 553 из 559New York, Grove Press. Серам 1966: С. W. Ceram. Archeologie du cinema. Paris, Plon.
Сервантес Мигель де Сааведра 1970: Хитроумный идальго Дон Кихот Ламанчский. Пер. Н. Любимова. М., Гослитиздат.
Сибони 1986: Daniel Sibony. Espace et inconscient. -- La Part de 1'Oeil, n° 2, 1986, p.133--145.
Ситрон 1961: Pierre Citron. La po6sie de Paris dans la litt6rature francaise de Rousseau a Baudelaire. These de doctorat. т. 1. Paris, Ed. de Minuit.
Скалли 1969: Vincent Scully. The Earth, the Temple, and the Gods. Greek Sacred Architecture. New York -- Washington -- London, Praeger.
Соммер 1975: Saly R. Sommer. Lote Fuller. -- The Drama Review, v.19, n° 1, March 1975, p. 53-67.
Старобински 1974: Jean Starobinski. "Je hais comme les portes d'Hades..." -- Nouvelle revue de psychanalyse, n° 9, printemps 1974, p. 7--22.
Стаффорд 1984: Barbara Maria Stafford. Characters in Stones, Marks on Paper: Enlightenment Discourse on Natural and Artificial Taches. -- Art Journal, v. 44, n° 3, Fall 1984, p. 233-244.
Стейнберг 1980: Leo Steinberg. The Line of Pate in Michelangelo's Painting. -- Critical Inquiry, v. 6, n° 3, Spring 1980, p. 411--454.
Стивенсон 1950: Selected Writings of Robert Louis Stevenson. New York, Random House.
Стриндберг 1984: August Strindberg. Inferno. From an Occult Diary. Harmondsworth, Penguin Books.
Стриндберг 1992: August Strindberg. On the action of light on photography: Reflection occasioned by the X-rays. -- In: Comparative Criticism, v. 14. Cambridge, Cambridge University Press, 1992, p. 175--181.
Стролл 1988: Avrum Stroll. Surfaces. Minneapolis. University of Minnesota Press.
Сури 1893: Jules Soury. Origine et nature du mouvemnet organique. -Revue philsophique, t. 36, Juillet-dec. 1893, p. 32--55.
Сурио 1969: Etienne Souriau. La correspondance des arts. Paris, Flammarion.
Сушаль 1977: Francois Souchal. French Sculptors of the 17th and 18th Centuries. The Reign of Louis XIV. Illustrated catalogue, t. 2, Oxford, Cassirer.
331
Сю 1954: Eugene Sue. Les Mysteres de Paris. Paris, Fayard.
Тарасенков A T. 1952: Последние дни жизни Н. В. Гоголя. -- В кн.: Гоголь в воспоминаниях современников. М., Гослитиздат, 1952, с. 511--525.
Тард 1890: G. Tarde.
Сервантес Мигель де Сааведра 1970: Хитроумный идальго Дон Кихот Ламанчский. Пер. Н. Любимова. М., Гослитиздат.
Сибони 1986: Daniel Sibony. Espace et inconscient. -- La Part de 1'Oeil, n° 2, 1986, p.133--145.
Ситрон 1961: Pierre Citron. La po6sie de Paris dans la litt6rature francaise de Rousseau a Baudelaire. These de doctorat. т. 1. Paris, Ed. de Minuit.
Скалли 1969: Vincent Scully. The Earth, the Temple, and the Gods. Greek Sacred Architecture. New York -- Washington -- London, Praeger.
Соммер 1975: Saly R. Sommer. Lote Fuller. -- The Drama Review, v.19, n° 1, March 1975, p. 53-67.
Старобински 1974: Jean Starobinski. "Je hais comme les portes d'Hades..." -- Nouvelle revue de psychanalyse, n° 9, printemps 1974, p. 7--22.
Стаффорд 1984: Barbara Maria Stafford. Characters in Stones, Marks on Paper: Enlightenment Discourse on Natural and Artificial Taches. -- Art Journal, v. 44, n° 3, Fall 1984, p. 233-244.
Стейнберг 1980: Leo Steinberg. The Line of Pate in Michelangelo's Painting. -- Critical Inquiry, v. 6, n° 3, Spring 1980, p. 411--454.
Стивенсон 1950: Selected Writings of Robert Louis Stevenson. New York, Random House.
Стриндберг 1984: August Strindberg. Inferno. From an Occult Diary. Harmondsworth, Penguin Books.
Стриндберг 1992: August Strindberg. On the action of light on photography: Reflection occasioned by the X-rays. -- In: Comparative Criticism, v. 14. Cambridge, Cambridge University Press, 1992, p. 175--181.
Стролл 1988: Avrum Stroll. Surfaces. Minneapolis. University of Minnesota Press.
Сури 1893: Jules Soury. Origine et nature du mouvemnet organique. -Revue philsophique, t. 36, Juillet-dec. 1893, p. 32--55.
Сурио 1969: Etienne Souriau. La correspondance des arts. Paris, Flammarion.
Сушаль 1977: Francois Souchal. French Sculptors of the 17th and 18th Centuries. The Reign of Louis XIV. Illustrated catalogue, t. 2, Oxford, Cassirer.
331
Сю 1954: Eugene Sue. Les Mysteres de Paris. Paris, Fayard.
Тарасенков A T. 1952: Последние дни жизни Н. В. Гоголя. -- В кн.: Гоголь в воспоминаниях современников. М., Гослитиздат, 1952, с. 511--525.
Тард 1890: G. Tarde.