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A future filled with the PIONEER SPIRIT; even better, a future filled with the AMERICAN PIONEER SPIRIT. See, for example, the cover of the original Bantam paperback edition of Ray Bradbury's Martian Chronicles . In this artistic vision-a figment of the artist's imagination and not of Bradbury's; there is nothing so ethnocentric or downright silly in this classic melding of science fiction and fantasy-the landing space travelers look a great deal like gyrenes storming up the beach at Saipan or Tarawa. It's a rocket instead of an LST in the background, true, but their jut-jawed, automatic-brandishing commander might have stepped right out of a John Wayne movie: "Come on, you suckers, do you want to live forever? Where's your PIONEER SPIRIT?” This was the cradle of elementary political theory and technological dreamwork in which I and a great many other war babies were rocked untiI that day in October, when the cradle was rudely upended and all of us fell out. For me, it was the end of the sweet dream . . . and the beginning of the nightmare.

The children grasped the implication of what the Russians had done as well and as quickly as anyone else-certainly as fast as the politicians who were falling all over themselves to cut the good lumber out of this nasty deadfall. The big bombers that had smashed Berlin and Hamburg in World War II were even then, in 1957, becoming obsolete. A new and ominous abbreviation had come into the working vocabulary of terror: ICBM. The ICBMS, we understood, were only the German V-rockets grown up. They would carry enormous payloads of nuclear death and destruction, and if the Russkies tried anything funny, we would simply blow them right off the face of the earth. Watch out, Moscow!

Here comes a big, hot dose of the PIONEER SPIRIT for you, you turkeys!

Except that somehow, incredibly, the Russians were looking pretty good in the old ICBM department themselves. After all, ICBMs were only big rockets, and the Commies certainly hadn't lofted Sputnik I into orbit with a potato masher.

And in that context, the movie began again in Stratford, with the ominous, warbling voices of the saucerians echoing everywhere: " Look to your skies . . . a warning will come from your skies . . . look to your skies . . .”

5

This book is intended to be an informal overview of where the horror genre has been over the last thirty years, and not an autobiography of yours truly. The autobiography of a father, writer, and ex-high school teacher would make dull reading indeed.

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