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Such a passage will also strike a responsive chord in any old antiwar protester, SDS member, or activist who ever believed his or her phone was tapped or that the guy with the Nikon on the edge of the demonstration was taking his or her picture for a dossier someplace. They are everywhere; they are watching; they are listening. Surely it is no wonder that Siegel believed that Finney's novel was about a-Red-under-every-bed or that others believed it was about the creeping fascist menace. As we descend deeper and deeper into the whirlpool of this nightmare it might even become possible to believe it was the pod people who were on the grassy knoll in Dallas, or that it was the pod-people who obediently swallowed their poisoned Kool-Aid at Jonestown and then spritzed it down the throats of their squalling infants. It would be such a relief to be able to believe that.
Miles's conversation with his Army friend is the book's clearest delineation of the paranoid mind at work. Even when you know the whole story, you aren't allowed to communicate it to those in authority . . . and it's hard to think with that buzzing in your head!
Linked to this is the strong sense of xenophobia Finney's major characters feel. The pods really are "a threat to our way of life," as Joe McCarthy used to say. "They'll have to declare martial law," Jack tells Miles, "a state of siege, or something-anything! And then do whatever has to be done. Root this thing out, smash it, crush it, kill it.” Later, during their brief flight from Santa Mira, Miles and Jack discover two pods in the trunk of the car. This is how Miles describes what happens next: And there they lay, in the advancing, retreating waves of flickering red light: two enormous pods already burst open in one or two places, and I reached in with both hands, and tumbled them out onto the dirt. They were weightless as children's balloons, harsh and dry on my palms and fingers. At the feel of them on my skin, I lost my mind completely, and then I was trampling them, smashing and crushing them under my plunging feet and legs, not even knowing that I was uttering a sort of hoarse, meaningless cry-"Unhh! Unhh!
Unhh!"-of fright and animal disgust.
No friendly, stoned-out hippies holding up signs reading STOP AND BE FRIENDLY here; here we have Miles and Jack, mostly out of their minds, doing the funky chicken over these weird and insensate invaders from space. There is no discussion (vis-à-vis The Thing ) of what we could learn from these things to the benefit of modern science.
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