Dogs and Demons   ::   Керр Алекс

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With essentially no accountability to the public, Japanese ministries know only one higher power: the Ministry of Finance, which determines the national budget. Whatever original purpose each government department may have had, over time its aim has devolved to the very simple goal of preserving its budget. Dr. Miyamoto Masao, a former official in the Ministry of Health and Welfare (MHW), relates the following exchange with a superior in his book Straitjacket Society:

Miyamoto : «You mean that once something is provided for in the budget you can't stop doing it? Why not?»

MHW official : «In the government offices, as long as a certain amount of money has been budgeted for a certain purpose, it has to be used up.»

«Surely it wouldn't matter if there was a little left over.»

«It's not that easy. Returning unused money is taboo.»

«Why is that?»

«Leftover money gives the Finance Ministry the impression that the project in question is not very important, which makes it a target of budget cuts the following year. The loss of even a single project means a smaller budget for the whole department. The director is going to take a dim view of that, since it affects his career prospects.»

True to their reputation for efficiency, Japanese ministries have done an extremely good job of enlarging their budgets by meticulously observing the principle that each ministry should get the same relative share this year that it received last year. The allowance for construction in the general budget for 1999 was thirteen times larger than it was in 1965, around the time of the Tokyo Olympics. Although more than thirty years have passed since that time, when small black-and-white television sets were common and most country roads were still unpaved – years during which Japan's infrastructure and lifestyles have changed radically – each ministry continued to receive almost exactly the same share of construction money it has always had, down to a fraction of a percentage point. «Bureaucrats are very skilled at spending it all. It is a fantastic waste, done in a very systematic way that will never stop,» says Diet member Sato Kenichiro.

Budgets that must be spent and programs that must expand in order to maintain the delicate balance among ministries – such is the background for the haunting, even weird aspect of Japan's continued blanketing of its landscape with concrete. The situation in Japan enters the realm of manga, of comic-strip fantasy, with bizarre otherworldly landscapes and apocalyptic visions of a topsy-turvy future.

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