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And Clare loved his occupation.
She entered his life without knocking, as one might step into the wrong room because of its vague resemblance to one's own. She stayed there forgetting the way out and quietly getting used to the strange creatures she found there and petted despite their amazing shapes. She had no special intention of being happy or of making Sebastian happy, nor had she the slightest misgivings as to what might come next; it was merely a matter of naturally accepting life with Sebastian because life without him was less imaginable than a tellurian's camping-tent on a mountain in the moon. Most probably, if she had borne him a child they would have slipped into marriage since that would have been the simplest way for all three; but that not being the case it did not enter their heads to submit to those white and wholesome formalities which very possibly both would have enjoyed had they given them necessary thought. There was nothing of your advanced prejudice-be-damned stuff about Sebastian. Well did he know that to flaunt one's contempt for a moral code was but smuggled smugness and prejudice turned inside out. He usually chose the easiest ethical path (just as he chose the thorniest aesthetic one) merely because it happened to be the shortest cut to his chosen object; he was far too lazy in everyday life (just as he was far too hardworking in his artistic life) to be bothered by problems set and solved by others.
Clare was twenty-two when she met Sebastian. She did not remember her father; her mother was dead too, and her stepfather had married again, so that the faint notion of home which that couple presented to her might be compared to the old sophism of changed handle and changed blade, though of course she could hardly expect to find and join the original parts – this side of Eternity at least. She lived alone in London, rather vaguely attending an art school and taking a course in Eastern languages, of all things. People liked her because she was quietly-attractive with her charming dim face and soft husky voice, somehow remaining in one's memory as if she were subtly endowed with the gift of being remembered: she came out well in one's mind, she was mnemogenic. Even her rather large and knuckly hands had a singular charm, and she was a good light silent dancer. But best of all she was one of those rare, very rare women who do not take the world for granted and who see everyday things not merely as familiar mirrors of their own feminity. She had imagination – the muscle of the soul – and her imagination was of a particularly strong, almost masculine quality.
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