The Mysterious Flame Of Queen Loana :: Эко Умберто
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His hero, Des Esseintes, comes from a long line of grim, muscular warriors with yataghan mustaches, but ancestral portraits reveal agradual impoverishment of the stock, sapped by too much inbreeding: his forebears already appear weakened by an excess of lymph in the blood, exhibit feminine traits and anemic, nervous faces. Des Esseintes is marked from birth by these atavistic evils: his is a dismal childhood, fraught with scrofula and stubborn fevers, and his mother, long, silent, and pale, always entombed in a dark room in one of their châteaux, in the faint glow of a lampshade that shields her from excessive light and noise, dies when he is seventeen. Left to himself, the boy looks through books on rainy days and in nice weather goes for walks in the country. "His greatest pleasure was going down into the gorge as far as Jutigny," a village at the foot of the hill. Into the Gorge. He stretches out in the fields, listens to the muffled sound of the water mills, then climbs to the top of a ridge from where he can see the Seine valley,
with its river disappearing into the distance, merging with the blue of the sky, and the churches and towers of Provins, which seem to tremble in the sun, in the golden dustiness of the air.
He reads and daydreams, relishing his solitude. As an adult, disappointed by life’s pleasures and by the pettiness of men of letters, he dreams of a refined retreat, a private desert, a snug, still ark. Thus he builds his completely artificial hermitage where, in the aquarial half-light of windowpanes that cut him off from the dull spectacle of nature, he transforms music into flavor and flavor into music, revels in the halting Latin of the Decadence, runs his pallid fingers over dalmatics and semiprecious stones, and has the shell of a living tortoise set with sapphires, occidental turquoise, hyacinths from Compostela, aquamarines, and slate-gray rubies from Södermanland.
The chapter I love most of all is the one in which Des Esseintes decides to leave his house for the first time to visit England. He is prompted by the foggy weather he sees around him, the vault of heaven that stretches uniformly in all directions like a gray pillowcase. In order to feel in tune with the place he is going to, he selects a pair of socks the color of dead leaves, a mouse-gray suit with lava-gray checks and sable-brown dots, then he dons a derby, takes a collapsible suitcase, a carpetbag, a hatbox, umbrellas and canes, and sets out for the station.
Already exhausted when he reaches Paris, he travels around the rainy city in a carriage to pass the time until his departure.
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