The Mysterious Flame Of Queen Loana   ::   Эко Умберто

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Gaslights flicker through the fog, ringed by yellowish haloes, putting him in mind already of an equally rainy, colossal, and vast London, with its cast iron smell,its smoky mist, its rows of docks, and cranes, and capstans, and bales Then he enters a tavern of sorts, a pub frequented by the English, its walls lined with casks emblazoned with royal arms, its tables laden with Palmers biscuits, savory cakes, mince pies, and sandwiches, and he looks forward to the array of exotic wines on offer there: Old Port , Magnificent Old Regina , Cock-burn’s Very Fine … Around him sit the English: pale clerics, men with tripe-butcher faces, others with collars of whiskers similar to those of certain large apes, towheaded men. He abandons himself, in that fictive London, to the sound of foreign voices and the honks of tugboats on the river.

He leaves in a daze, the sky having now settled down around the bellies of the houses, the arcades of Rue de Rivoli reminding him of the gloomy tunnel carved out beneath the Thames, then enters another tavern, where he sees beers spilling forth from pumps that rise from the bar and robust Anglo-Saxon women with paddle-sized teeth and long hands and feet attacking a "rump-steak pie"-meat cooked in a mushroom sauce and cloaked in a crust, like a pastry. He orders an "oxtail" soup, a "haddock," some "roast beef," and two pints of "ale"; he nibbles on some "Stilton"; he chases it all with a glass of "brandy."

As he asks for the bill, the tavern door opens and the people who enter bring with them the odor of wet dog and fossil coal. Des Esseintes wonders why he should bother crossing the Channel: he has in effect already been to London, has smelled the smells, tasted the foods, seen the typical decor-he has gorged himself on British life. He has his driver take him back to the Sceaux station, and he returns, with his suitcases, his bags, his traveling rugs and his umbrellas, to his familiar refuge, "feeling all the physical exhaustion and moral fatigue of a man returning home following a long, perilous journey."

That is how I become: even on spring days I can be wrapped in a uterine fog. But only illness (and the fact that life refuses me) could fully justify my refusal of life. I must prove to myself that my escape is good, is virtuous.

Thus I find that I am ill. I have heard it said that heart disease manifests itself through the violet color of the lips, and during those very years my mother is showing signs of heart trouble. Not serious, perhaps, but the whole family gets more caught up in it than we should, to the point of hypochondria.

One morning, when I look in the mirror, my lips seem purple. I go down to the street and start sprinting like a madman: I gasp for breath, I feel an abnormal throbbing in my chest.

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